- Some thoughts about EXPO’70 / Kenso Tange x Noboru Kawazoe. Pág. 8-20
- Symbol zone : master design produce / Kenzo Tange. Pág. 22-35
- The space frame / Kenso Tange, Koji Kamiya. Pág. 35-43
- Festival Plaza / Kenso Tange, Arata Isozaki Pág. 44-63
- EXPO Tower / Kiyonori Kikutake Architect. Pág. 64-68
- EXPO Museum of Fine Arts / Kiyoshi Kawasaki. Pág. 69-72
- Foreing and Japanese Private Pavilions. Pág. 73-80
- The United States Pavilion / Davis, Brody, Chermayeff, Geismar, de Harak, Associates Yasuo Uesaka. Pág. 81-85
- The Canadian Pavilion / Erickson-Massey Architects and Planners. Pág. 86-89
- The British Pavilion / Powell & Moya Associates. Pág. 90-93
- The Republic of China Pavilion / Peng Yin-Hsuan, Lee Chu-Yuan. Pág. 94-97
- The Netherland Pavilion / J.B. Bakema, Ir. C. Weeber. Pág. 98-99
- The Switzerland Pavilion / Willi Walte. Pág. 100-101
- The International Place No.2-B. Pág. 102-103
- The Electric Power Pavilion / Sakakura Associates, architects and engineers. Pág. 104-107
- The Sumitomo Fairytale Pavilion / Sachio Otani and Associates. Pág. 108-111
- The Fuji Group Pavilion / Yutaka Murata. Pág. 112-115
- The Takara Beautilion / Kisho Kurokawa Architect and Associates. Pág. 116-117
- The Ricoh Pavilion / Nikken Sekkei Komu. Pág. 118-119
- Other Foreing and Japanese Private Pavilions. Pág. 120-128
- Landscape. Pág. 129-137
- Sub-plazas. Pág. 138-139
- Fountains and sculpture. Pág. 140-141
- Expoland. Pág. 142
- Site furniture. Pág. 143-144
- Moving walkways and urban trafic / Koichi Sone, Sei Oyuki, Yuji Morioka. Pág. 145-147
- The EXPO ’70 Information communication system / Yoshio Tsukio. Pág. 148-149
- The EXPO’70 Grounds artificial environment / Toshio Ojima. Pág. 150-151
- General outline of EXPO’70 facilities / Kenso Tange and Uzo Nishiyama. Pág.158-165
- Winning entries of the Central Glass International Architectural Design Competition 2018. Pág. 167-173
